He didn’t bring an unusual interpretive approach to Puccini’s familiar score. Nézet-Séguin has been maintaining a busy schedule this fall, including Met runs of two demanding contemporary works, “Fire Shut Up in My Bones” and “Eurydice” in the announcement he said he needed some time to “re-energize.” Though it was a concerning decision, and it's disappointing to lose him for “Figaro,” if taking a short break will allow him to keep summoning the kind of energy he had for “Tosca,” then so be it.
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